Spanish Queer Cinema by
There is a lot more to Spanish Queer Cinema than Pedro Almodóvar or the gay comedies of the 1990s. A wealth of short films, documentaries and features -- many by, for, or about lesbians -- is at the core of a creative culture responding to exceptionally intense social changes. The country has moved from institutionalising same-sex unions at the regional civic level (from 1998) to legal recognition of same-sex marriage (in 2005). Moving images and the debates and conversations around them have made a stand against homophobia and exclusion, responded to health and welfare crises, questioned or affirmed the value of same-sex marriage, and constructed new forms of love and community. They, and their audiences, build a new Spanish queer imagination. The book opens all this up, and shows some of the wider social contexts and forms of communication which underpin it.
Traditional Monster Imagery in Manga, Anime and Japanese Cinema by
Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art, that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo- and Meiji-period art works and post-war visual media. While the previous volume concentrated on modern media representations, this work focuses on how Western art historical concepts and methodology might be adapted when considering non-Western works, introducing traditional monster art in more detail, while also maintaining its links to post-war animation, sequential art and Japanese cinema. The book aims at a general readership interested in Japanese art and media as well as graduate students who might be searching for a research model within the fields of Animation Studies, Media Studies or Visual Communication Design.
The Evolution of Gay Imagery in Mexican Cinema by
This book explores the accommodations made by the eye of the camera in its search for a homosexual body and gay identity. An analysis of Mexican movies produced during the last third of the 20th century reveals the emergence, the evolution, the articulation, the subversion and the liberation of gay images in Mexican cinema, but also a necessary addition for the full understanding those images in the context of changing Mexican society.
Coming Out to the Mainstream by
Coming Out to the Mainstream is a collection of essays written from a range of perspectives from scholar to film producer who seek to contextualize and reframe the New Queer Cinema phenomenon in a comparatively different cultural and political context of
Lady Chatterley's Legacy in the Movies by
Titanic. Two Moon Junction. A Night in Heaven. Sirens. Henry & June. 9 Songs. Lady Chatterley. And more. A new "body guy" genre has emerged in film during the last twenty years-a working-class man of the earth or bohemian artist awakens and fulfills the sexuality of a beautiful, intelligent woman frequently married or engaged to a sexually incompetent, educated, upper-class man. This body guy exhibits a masterful athletic, penile-centered sexual performance that enlivens and transforms the previously discontented woman's life. Peter Lehman and Susan Hunt relate a host of wide-ranging films to a literary tradition dating back to D. H. Lawrence's Lady Chatterley's Lover and an emerging body culture of our time. Through an engaging and compelling narrative, they argue that the hero's body, lovemaking style, and penis-revealed through extensive male nudity-celebrate conformity to norms of masculinity and male sexuality. Simultaneously, these films denigrate the vital, creative, erotic world of the mind. Just when women began to successfully compete with men in the workplace, these movies, if you will, unzip the penis as the one thing women do not have but want and need for their fulfillment. But Lehman and Hunt also find signs of a yearning for alternative forms of sexual and erotic pleasure in film, embracing diverse bodies and vibrant minds. Lady Chatterley's Legacy in the Movies shows how filmmakers, spectators, and all of us can be empowered to dethrone the body guy, his privileged body, and preferred style of lovemaking, replacing it with a wide range of alternatives.
Queer Timing by
In Queer Timing, Susan Potter offers a counter-history that reorients accepted views of lesbian representation and spectatorship in early cinema. Potter sees the emergence of lesbian figures as only the most visible but belated outcome of multiple sexuality effects. Early cinema reconfigured older erotic modalities, articulated new--though incoherent--sexual categories, and generated novel forms of queer feeling and affiliation. Potter draws on queer theory, silent film historiography, feminist film analysis, and archival research to provide an original and innovative analysis. Taking a conceptually oriented approach, she articulates the processes of filmic representation and spectatorship that reshaped, marginalized, or suppressed women's same-sex desires and identities. As she pursues a sense of "timing," Potter stages scenes of the erotic and intellectual encounters shared by historical spectators, on-screen figures, and present-day scholars. The result is a daring revision of feminist and queer perspectives that foregrounds the centrality of women's same-sex desire to cinematic discourses of both homo- and heterosexuality.
Lesbian Cinema after Queer Theory by
Headline: A study of spectatorship, desire, identification and identity Blurb: Lesbianism has received unprecedented screen time in the first decades of the twenty-first century, departing from a prior invisibility which historically was interrupted only by invocations of pathologisation, isolation and tragedy. The lesbian's delayed and uneasy path towards visibility has coincided with queer theory's disruption of sexual identity categories, resulting in a comparable invisibility in the critical discourse that might have accounted for such significant representational transformations. In this paradoxical context, Troubling Visibility: The Queerness of Lesbian Cinema theorises the kinds of cinematic language through which desire can be given visual form. Scrutinising the conflations and obscurations induced by legitimacy when sexuality is made visible through sex, the book proposes a feminist framework for understanding the queerness of lesbianism that unsettles the "visibility imperative". Rather than charting a narrative of representational progress, shoring up the lesbian's categorisation in the newly available terms of the visible, the book reads contemporary cinema through the theories of sexuality that problematise lesbian legibility itself. Key Features: Analyses contemporary films in the context of long-standing theoretical debates and representational paradigms Intervenes in questions of visibility, progress and identity politics Explores lesbian cinema in the context of political, social and cultural transformations in LGBTQ+ civil rights in the twenty-first century Proposes the mutual, rather than synonymous, use of "queer" and "lesbian" to describe sexuality on screen Brings together psychoanalysis, affect theory and theories of space and timeto explore the range of ways in which contemporary cinema makes desire legible Keywords: queer theory; feminist film theory; lesbian sexuality; film and gender; film and affect; identity politics Subject: Film Studies
Lot by
One of Barack Obama's "Favorite Books of the Year" "Phenomenal" --Justin Torres, author of We the Animals "Brilliant" --Nicole Dennis-Benn, author of Here Comes the Sun "A profound exploration of the true meaning of borders." --The New York Times Book Review NAMED ONE OF THE 10 BEST BOOKS OF 2019 in the New York Times by Dwight Garner A New York Times Notable Book of 2019 In the city of Houston - a sprawling, diverse microcosm of America - the son of a black mother and a Latino father is coming of age. He's working at his family's restaurant, weathering his brother's blows, resenting his older sister's absence. And discovering he likes boys. Around him, others live and thrive and die in Houston's myriad neighborhoods: a young woman whose affair detonates across an apartment complex, a ragtag baseball team, a group of young hustlers, hurricane survivors, a local drug dealer who takes a Guatemalan teen under his wing, a reluctant chupacabra. Bryan Washington's brilliant, viscerally drawn world vibrates with energy, wit, raw power, and the infinite longing of people searching for home. With soulful insight into what makes a community, a family, and a life, Lot explores trust and love in all its unsparing and unsteady forms.
Speak No Evil by
Winner of the Gold Nautilus Award for Fiction | A Lambda Literary Award Finalist | A Barbara Gittings Literature Award Finalist | An Indie Next Pick | A Barnes and Noble Best Book of the Month | A Library Journal Best Book of the Year "A lovely slender volume that packs in entire worlds with complete mastery. Speak No Evil explains so much about our times and yet is never anything less than a scintillating, page-turning read."--Gary Shteyngart "A wrenching, tightly woven story about many kinds of love and many kinds of violence. Speak No Evil probes deeply but also with compassion the cruelties of a loving home. Iweala's characters confront you in close-up, as viscerally, bodily alive as any in contemporary fiction."--Larissa MacFarquhar In the long-anticipated novel from the author of the critically acclaimed Beasts of No Nation, a revelation shared between two privileged teenagers from very different backgrounds sets off a chain of events with devastating consequences. On the surface, Niru leads a charmed life. Raised by two attentive parents in Washington, D.C., he's a top student and a track star at his prestigious private high school. Bound for Harvard in the fall, his prospects are bright. But Niru has a painful secret: he is queer--an abominable sin to his conservative Nigerian parents. No one knows except Meredith, his best friend, the daughter of prominent Washington insiders--and the one person who seems not to judge him. When his father accidentally discovers Niru is gay, the fallout is brutal and swift. Coping with troubles of her own, however, Meredith finds that she has little left emotionally to offer him. As the two friends struggle to reconcile their desires against the expectations and institutions that seek to define them, they find themselves speeding toward a future more violent and senseless than they can imagine. Neither will escape unscathed. In the tradition of Junot Diaz's The Brief Wondrous Life of Oscar Wao and Chimamanda Ngozi Adichie's Americanah, Speak No Evil explores what it means to be different in a fundamentally conformist society and how that difference plays out in our inner and outer struggles. It is a novel about the power of words and self-identification, about who gets to speak and who has the power to speak for other people. As heart-wrenching and timely as his breakout debut, Beasts of No Nation, Uzodinma Iweala's second novel cuts to the core of our humanity and leaves us reeling in its wake. One of Bustle's 35 Most Anticipated Fiction Books Of 2018 | One of Paste's 25 Most Anticipated Books of 2018 | One of The Boston Globe's 25 Books We Can't Wait to Read in 2018
I Can't Date Jesus by
NEW YORK TIMES BESTSELLER Featured as One of Summer's most anticipated reads by the Los Angeles Times, Vogue, Vulture, Entertainment Weekly, ELLE, Buzzfeed, and Bitch Media. From the author of I Don't Want to Die Poor and in the style of New York Times bestsellers You Can't Touch My Hair, Bad Feminist, and I'm Judging You, a timely collection of alternately hysterical and soul‑searching essays about what it is like to grow up as a creative, sensitive black man in a world that constantly tries to deride and diminish your humanity. It hasn't been easy being Michael Arceneaux. Equality for LGBTQ people has come a long way and all, but voices of persons of color within the community are still often silenced, and being Black in America is...well, have you watched the news? With the characteristic wit and candor that have made him one of today's boldest writers on social issues, I Can't Date Jesus is Michael Arceneaux's impassioned, forthright, and refreshing look at minority life in today's America. Leaving no bigoted or ignorant stone unturned, he describes his journey in learning to embrace his identity when the world told him to do the opposite. He eloquently writes about coming out to his mother; growing up in Houston, Texas; being approached for the priesthood; his obstacles in embracing intimacy that occasionally led to unfortunate fights with fire ants and maybe fleas; and the persistent challenges of young people who feel marginalized and denied the chance to pursue their dreams. Perfect for fans of David Sedaris, Samantha Irby, and Phoebe Robinson, I Can't Date Jesus tells us--without apologies--what it's like to be outspoken and brave in a divisive world.
The Boy with the Thorn in His Side by
This very moving memoir tells the story of a dramatic adolescence: Sixteen-year-old Keith Fleming''s life is literally saved when his young uncle Ed, the writer Edmund White, impulsively agrees to "adopt" him. Installed in the maid''s room of his uncle''s busy apartment on Manhattan''s Upper West Side where the phone never stops ringing, Keith soon finds himself transformed as Uncle Ed whirls into action--arranging treatment for Keith''s disfiguring acne; enrolling him in prep school despite huge gaps in Keith''s academic record caused by time spent in mental hospitals and a hippie "free school"; and instructing his nephew in a worldly view of life and love (an early assignment: reading Lolita and Lord Chesterfield''s Letters to His Son). Five months later Uncle Ed, who is both strapped for cash as well as completely caught up in the beehive of social and sexual activity of 1970s gay Manhattan, must decide if he can afford to "adopt" another child-Keith''s fourteen-year-old Mexican girlfriend, the beautiful Laura, who has just run away from her convent school. Though Keith''s new life in New York forms the heart of the story, this powerful, entertaining memoir begins by tracing how young Keith evolves from being a member of a seemingly ordinary suburban family into a teen so miserably defiant that he is put in the hands of a tyrannical psychiatrist. Here, on a locked adolescent psychiatric ward, Keith meets the bewitching Laura. The two teens begin a passionate love affair--only to be separated and placed in different hospitals. By turns lyrical, funny, and poignant, and always informed by touching candor, The Boy with the Thorn in His Side is full of fascinating characters and unexpected twists-at once an odyssey into the extremes of the American 1970s, a universal tale of star-crossed teenage love, and an account of a deeply sensitive young person''s struggle to find his place in the world. It marks the debut of a poised and compelling writer. Keith Fleming had been a pretty ordinary Midwestern kid--Little League, Boy Scouts--but the year he turns twelve, his family is torn apart by divorce when he learns that his mother and his Uncle Ed are both gay. By the time Keith is fifteen he has become disfigured by severe acne and is so wild that his father and stepmother place him in a draconian adolescent mental institution. Here he meets Laura, a pretty Mexican girl with whom he begins a passionate love affair. Keith''s mother finally demands his release after a series of hospitalizations and sends him off to live with his uncle, Edmund White, in New York. Keith is soon transformed by his young uncle: He is sent to a dermatologist, to Barneys "Boy''s Town" for new clothes, and to prep school. He receives a broad cultural education from Uncle Ed at home--all this despite Ed''s being poor as well as completely caught up in the beehive of social and sexual activity of 1970s gay Manhattan. In the tradition of This Boy''s Life and Girl, Interrupted, The Boy with a Thorn in His Side is a beautifully rendered saga of a deeply sensitive and alienated teen struggling to find his place in the world-and at the same time a very modern tale of teenage love and a young person''s touching and complicated bond with an unlikely hero.Keith Fleming had been a pretty ordinary Midwestern kid--Little League, Boy Scouts--but the year he turns twelve, his family is torn apart by divorce when he learns that his mother and his Uncle Ed are both gay. By the time Keith is fifteen he has become disfigured by severe acne and is so wild that his father and stepmother place him in a draconian adolescent mental institution. Here he meets Laura, a pretty Mexican girl with whom he begins a passionate love affair. Keith''s mother finally demands his release after a series of hospitalizations and sends him off to live with his uncle, Edmund White, in New York. Keith is soon transformed by his young uncle: He is sent to a dermatologist, to Barneys "Boy''s Town" for new clothes, and to prep school. He receives a broad cultural education from Uncle Ed at home--all this despite Ed''s being poor as well as completely caught up in the beehive of social and sexual activity of 1970s gay Manhattan. In the tradition of This Boy''s Life and Girl, Interrupted, The Boy with a Thorn in His Side is a beautifully rendered saga of a deeply sensitive and alienated teen struggling to find his place in the world-and at the same time a very modern tale of teenage love and a young person''s touching and complicated bond with an unlikely hero.
Gay Bar by
As gay bars continue to close at an alarming rate, a writer looks back to find out what's being lost in this indispensable, intimate, and stylish celebration of history. One of the New York Times Critics' Top Books of 2021 An indispensable, intimate, and stylish celebration. "Gay Bar is an absolute tour de force." (Maggie Nelson) "Beautiful . . . Atherton Lin has a five-octave, Mariah Carey-esque range for discussing gay sex." -New York Times Book Review Strobing lights and dark rooms; throbbing house and drag queens on counters; first kisses, last call: the gay bar has long been a place of solidarity and sexual expression--whatever your scene, whoever you're seeking. But in urban centers around the world, they are closing, a cultural demolition that has Jeremy Atherton Lin wondering: What was the gay bar? How have they shaped him? And could this spell the end of gay identity as we know it? In Gay Bar, the author embarks upon a transatlantic tour of the hangouts that marked his life, with each club, pub, and dive revealing itself to be a palimpsest of queer history. In prose as exuberant as a hit of poppers and dazzling as a disco ball, he time-travels from Hollywood nights in the 1970s to a warren of cruising tunnels built beneath London in the 1770s; from chichi bars in the aftermath of AIDS to today's fluid queer spaces; through glory holes, into Crisco-slicked dungeons and down San Francisco alleys. He charts police raids and riots, posing and passing out--and a chance encounter one restless night that would change his life forever. The journey that emerges is a stylish and nuanced inquiry into the connection between place and identity--a tale of liberation, but one that invites us to go beyond the simplified Stonewall mythology and enter lesser-known battlefields in the struggle to carve out a territory. Elegiac, randy, and sparkling with wry wit, Gay Bar is at once a serious critical inquiry, a love story and an epic night out to remember.
The Book of Pride by
THE BOOK OF PRIDE captures the true story of the gay rights movement from the 1960s to the present, through richly detailed, stunning interviews with the leaders, activists, and ordinary people who witnessed the movement and made it happen. These individuals fought battles both personal and political, often without the support of family or friends, frequently under the threat of violence and persecution. By shining a light on these remarkable stories of bravery and determination, THE BOOK OF PRIDE not only honors an important chapter in American history, but also empowers young people today (both LGBTQ and straight) to discover their own courage in order to create positive change. Furthermore, it serves a critically important role in ensuring the history of the LGBTQ movement can never be erased, inspiring us to resist all forms of oppression with ferocity, community, and, most importantly, pride
The Pride Guide by
The Pride Guide is an indispensable resource written explicitly for the almost 10 percent of teenagers who identify as gay, lesbian, bisexual, trans, or any of the unique identities that are not heterosexual/cisgender. It explores sex, dating, relationships, puberty, and both physical and online safety. The issue today is not whether or not queer youth will get sex education; the issue is how and where they will gather information and whether or not the information they gather will be applicable, reliable, or exploitative. Equipping teens and their families with knowledge and self-confidence, this book provides the best protection against the unfortunate backlash that is sometimes encountered by those who grow up queer. Book jacket.
