Hitler's Monsters by
The definitive history of the supernatural in Nazi Germany--the occult ideas, esoteric sciences, and pagan religions touted by the Third Reich in the service of power "[Kurlander] shows how swiftly irrational ideas can take hold, even in an age before social media."--Michael Dirda, The Washington Post "A careful, clear-headed, and exhaustive examination of a subject so lurid that it has probably scared away some of the serious research it merits."--National Review The Nazi fascination with the occult is legendary, yet today it is often dismissed as Himmler's personal obsession or wildly overstated for its novelty. Preposterous though it was, however, supernatural thinking was inextricable from the Nazi project. The regime enlisted astrology and the paranormal, paganism, Indo-Aryan mythology, witchcraft, miracle weapons, and the lost kingdom of Atlantis in reimagining German politics and society and recasting German science and religion. In this eye-opening history, Eric Kurlander reveals how the Third Reich's relationship to the supernatural was far from straightforward. Even as popular occultism and superstition were intermittently rooted out, suppressed, and outlawed, the Nazis drew upon a wide variety of occult practices and esoteric sciences to gain power, shape propaganda and policy, and pursue their dreams of racial utopia and empire.
On Monsters by
Monsters. Real or imagined, literal or metaphorical, they have exerted a dread fascination on the human mind for many centuries. They attract and repel us, intrigue and terrify us, and in the process reveal something deeply important about the darker recesses of our collective psyche.Stephen Asma's On Monsters is a wide-ranging cultural and conceptual history of monsters - how they have evolved over time, what functions they have served for us, and what shapes they are likely to take in the future. Asma begins with a letter from Alexander the Great in 326 B.C. detailing anencounter in India with an "enormous beast - larger than an elephantthree ominous horns on its forehead." From there the monsters come fast and furious - Behemoth and Leviathan, Gog and Magog, the leopard-bear-lion beast of Revelation, Satan and his demons, Grendel and Frankenstein, circus freaksand headless children, right up to the serial killers and terrorists of today and the post-human cyborgs of tomorrow. Monsters embody our deepest anxieties and vulnerabilities, Asma argues, but they also symbolize the mysterious and incoherent territory just beyond the safe enclosures of rationalthought. Exploring philosophical treatises, theological tracts, newspapers, pamphlets, films, scientific notebooks, and novels, Asma unpacks traditional monster stories for the clues they offer about the inner logic of an era's fears and fascinations. In doing so, he illuminates the many waysmonsters have become repositories for those human qualities that must be repudiated, externalized, and defeated.Asma suggests that how we handle monsters reflects how we handle uncertainty, ambiguity, insecurity. And in a world that is daily becoming less secure and more ambiguous, he shows how we might learn to better live with monsters - and thereby avoid becoming one.
Monsters and Mythical Creatures from Around the World by
Mythical creatures are cultural artifacts--creations of the human imagination from all around the world. From terrifying monsters to sacred mystical beasts, weird-looking humanoids, magical birds, and many other fantastic beings, the mythological creatures in this book are sure to enchant and amaze! Discover myths and legends spanning from ancient times to modern day from every corner of the globe. Learn the cultural origins of 240 different mythical creatures, captured in ten chapters and 100 colorful illustrations. You will find terrifying bogey monsters as well as benevolent guardians. Meet creatures that symbolize obstacles to overcome, ones that explain the occurrence of disease, some that ward away evil, and others that were created simply for amusement. Explore mythology from the Middle East, Africa, India, Japan, Mexico, Europe, Polynesia, and beyond. This guide is a ticket to travel the world and discover its strangest magical beasts from the safety of your own home.
American Monsters by
From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America-including Bigfoot, the Jersey Devil, and more. From pre-Columbian legends to modern-day eyewitness accounts, this comprehensive guide covers the history, sightings and lore surrounding the most mysterious monsters in America-including Bigfoot, the Jersey Devil, and more. Bigfoot, the chupacabra, and thunderbirds aren't just figments of our overactive imaginations; according to thousands of eyewitnesses, they exist, in every corner of the United States. Throughout America's history, shocked onlookers have seen unbelievable creatures of every stripe-from sea serpents to apelike beings, giant bats to monkeymen-in every region. Nationally recognized author and cryptid investigator Linda S. Godfrey brings the same fearless reporting she lent to Real Wolfmen to this essential guide, using historical records, present-day news reports, and eyewitness interviews to examine the hidden menagerie of America's homegrown beasts.
The Big Book of Monsters by
Monsters are a total treat for kids. They turn up in stories and fairy tales all over the world, give kids thrilling yet safe shivers, help them work out real fears and anxieties, and empower them in the same way that dinosaurs do, inhabiting the kind of world that's special in part because grown-ups are too busy and boring to pay attention to it. The Big Book of Monsters revels in this magic appeal and delivers an unparalleled compendium of 25 of the creepiest, the spookiest, the most wicked and dreadful creatures found in classic literature. It's a who's who of the baddest of the bad, from those paradigms of literary terror, Dracula and Frankenstein; to the creatures of myth, both Western - like Polyphemus, the human-devouring one-eyed Cyclops of Homer - and not, like the Japanese Goblin-Spider; to witches, werewolves, golems, spirits, and scary human anomalies including the Headless Horseman, Mr. Hyde, the Invisible Man, and Rappaccini's daughter, the poisonous maiden of Padua. Every monster is brought to life first in a full-size, full-colour portrait that captures the essence of the beast, and in lively text that recounts the story, highlights the gruesome details, and rates each monster on the Scare-o-Meter. Sidebars explore the source texts, giving readers a genuinely exciting introduction to literary genres and history, and making this book especially valuable for reluctant readers.
The Lady from the Black Lagoon by
2019 SCIBA Book Award Winner for Biography A Hugo and Locus Award Finalist Winner of the Rondo Hatton Classic Horror Award The Los Angeles Times Bestseller A Thrillist Best Book of the Year A Book Riot Best Book of 2019 One of Booklist's 10 Best Art Books of the Year The Lady from the Black Lagoon uncovers the life and work of Milicent Patrick--one of Disney's first female animators and the only woman in history to create one of Hollywood's classic movie monsters As a teenager, Mallory O'Meara was thrilled to discover that one of her favorite movies, Creature from the Black Lagoon, featured a monster designed by a woman, Milicent Patrick. But for someone who should have been hailed as a pioneer in the genre, there was little information available. For, as O'Meara soon discovered, Patrick's contribution had been claimed by a jealous male colleague, her career had been cut short and she soon after had disappeared from film history. No one even knew if she was still alive. As a young woman working in the horror film industry, O'Meara set out to right the wrong, and in the process discovered the full, fascinating story of an ambitious, artistic woman ahead of her time. Patrick's contribution to special effects proved to be just the latest chapter in a remarkable, unconventional life, from her youth growing up in the shadow of Hearst Castle, to her career as one of Disney's first female animators. And at last, O'Meara discovered what really had happened to Patrick after The Creature's success, and where she went. A true-life detective story and a celebration of a forgotten feminist trailblazer, Mallory O'Meara's The Lady from the Black Lagoon establishes Patrick in her rightful place in film history while calling out a Hollywood culture where little has changed since. Don't miss Mallory O'Meara's upcoming novel, Girly Drinks!
Book of Beasts by
A celebration of the visual contributions of the bestiary--one of the most popular types of illuminated books during the Middle Ages--and an exploration of its lasting legacy. Brimming with lively animals both real and fantastic, the bestiary was one of the great illuminated manuscript traditions of the Middle Ages. Encompassing imaginary creatures such as the unicorn, siren, and griffin; exotic beasts including the tiger, elephant, and ape; as well as animals native to Europe like the beaver, dog, and hedgehog, the bestiary is a vibrant testimony to the medieval understanding of animals and their role in the world. So iconic were the stories and images of the bestiary that its beasts essentially escaped from the pages, appearing in a wide variety of manuscripts and other objects, including tapestries, ivories, metalwork, and sculpture. With over 270 color illustrations and contributions by twenty-five leading scholars, this gorgeous volume explores the bestiary and its widespread influence on medieval art and culture as well as on modern and contemporary artists like Pablo Picasso and Damien Hirst. Published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center May 14 to August 18, 2019.
Monster, She Wrote by
Satisfy your craving for extraordinary authors and exceptional fiction- Meet the women writers who defied convention to craft some of literature's strangest tales, from Frankenstein to The Haunting of Hill House and beyond. Frankenstein was just the beginning- horror stories and other weird fiction wouldn't exist without the women who created it. From Gothic ghost stories to psychological horror to science fiction, women have been primary architects of speculative literature of all sorts. And their own life stories are as intriguing as their fiction. Everyone knows about Mary Shelley, creator of Frankenstein, who was rumored to keep her late husband's heart in her desk drawer. But have you heard of Margaret "Mad Madge" Cavendish, who wrote a science-fiction epic 150 years earlier (and liked to wear topless gowns to the theater)? If you know the astounding work of Shirley Jackson, whose novel The Haunting of Hill House was reinvented as a Netflix series, then try the psychological hauntings of Violet Paget, who was openly involved in long-term romantic relationships with women in the Victorian era. You'll meet celebrated icons (Ann Radcliffe, V. C. Andrews), forgotten wordsmiths (Eli Coltor, Ruby Jean Jensen), and today's vanguard (Helen Oyeyemi). Curated reading lists point you to their most spine-chilling tales. Part biography, part reader's guide, the engaging write-ups and detailed reading lists will introduce you to more than a hundred authors and over two hundred of their mysterious and spooky novels, novellas, and stories.
Haunted by
An award-winning scholar and author charts four hundred years of monsters and how they reflect the culture that created them Leo Braudy, a finalist for both the National Book Award and the National Book Critics Circle Award, has won accolades for revealing the complex and constantly shifting history behind seemingly unchanging ideas of fame, war, and masculinity. Continuing his interest in the history of emotion, this book explores how fear has been shaped into images of monsters and monstrosity. From the Protestant Reformation to contemporary horror films and fiction, he explores four major types: the monster from nature (King Kong), the created monster (Frankenstein), the monster from within (Mr. Hyde), and the monster from the past (Dracula). Drawing upon deep historical and literary research, Braudy discusses the lasting presence of fearful imaginings in an age of scientific progress, viewing the detective genre as a rational riposte to the irrational world of the monstrous. Haunted is a compelling and incisive work by a writer at the height of his powers.]]>
The New Annotated Frankenstein by
Two centuries after its original publication, Mary Shelley's classic tale of gothic horror comes to vivid life in "what may very well be the best presentation of the novel" to date (Guillermo del Toro). "Remarkably, a nineteen-year-old, writing her first novel, penned a tale that combines tragedy, morality, social commentary, and a thoughtful examination of the very nature of knowledge," writes best-selling author Leslie S. Klinger in his foreword to The New Annotated Frankenstein. Despite its undeniable status as one of the most influential works of fiction ever written, Mary Shelley's novel is often reductively dismissed as the wellspring for tacky monster films or as a cautionary tale about experimental science gone haywire. Now, two centuries after the first publication of Frankenstein, Klinger revives Shelley's gothic masterpiece by reproducing her original text with the most lavishly illustrated and comprehensively annotated edition to date. Featuring over 200 illustrations and nearly 1,000 annotations, this sumptuous volume recaptures Shelley's early nineteenth-century world with historical precision and imaginative breadth, tracing the social and political roots of the author's revolutionary brand of Romanticism. Braiding together decades of scholarship with his own keen insights, Klinger recounts Frankenstein's indelible contributions to the realms of science fiction, feminist theory, and modern intellectual history--not to mention film history and popular culture. The result of Klinger's exhaustive research is a multifaceted portrait of one of Western literature's most divinely gifted prodigies, a young novelist who defied her era's restrictions on female ambitions by independently supporting herself and her children as a writer and editor. Born in a world of men in the midst of a political and an emerging industrial revolution, Shelley crafted a horror story that, beyond its incisive commentary on her own milieu, is widely recognized as the first work of science fiction. The daughter of a pioneering feminist and an Enlightenment philosopher, Shelley lived and wrote at the center of British Romanticism, the "exuberant, young movement" that rebelled against tradition and reason and "with a rebellious scream gave birth to a world of gods and monsters" (del Toro). Following his best-selling The New Annotated H. P. Lovecraft and The New Annotated Sherlock Holmes, Klinger not only considers Shelley's original 1818 text but, for the first time in any annotated volume, traces the effects of her significant revisions in the 1823 and 1831 editions. With an afterword by renowned literary scholar Anne K. Mellor, The New Annotated Frankenstein celebrates the prescient genius and undying legacy of the world's "first truly modern myth." The New Annotated Frankenstein includes: Nearly 1,000 notes that provide information and historical context on every aspect of Frankenstein and of Mary Shelley's life Over 200 illustrations, including original artwork from the 1831 edition and dozens of photographs of real-world locations that appear in the novel Extensive listings of films and theatrical adaptations An introduction by Guillermo del Toro and an afterword by Anne K. Mellor
Pride and Prejudice and Zombies by
Pride and Prejudice and Zombies features the original text of Jane Austen?s beloved novel with all-new scenes of bone-crunching zombie action. As our story opens, a mysterious plague has fallen upon the quiet English village of Meryton-and the dead are returning to life! Feisty heroine Elizabeth Bennet is determined to wipe out the zombie menace, but she?s soon distracted by the arrival of the haughty and arrogant Mr. Darcy. What ensues is a delightful comedy of manners with plenty of civilized sparring between the two young lovers-and even more violent sparring on the blood-soaked battlefield as Elizabeth wages war against hordes of flesh-eating undead. Complete with 10 wonderfully graphic illustrations, this insanely funny expanded edition will introduce Jane Austen?s classic novel to new legions of fans.
Sense and Sensibility and Sea Monsters by
The Dashwood sisters are evicted from their childhood home and sent to live on a mysterious island full of savage creatures and dark secrets. While sensible Elinor falls in love with Edward Ferrars, her romantic sister Marianne is courted by both the handsome Willoughby and the hideous man-monster Colonel Brandon. Can the Dashwood sisters triumph over meddlesome matriarchs and unscrupulous rogues to find true love? Or will they fall prey to the tentacles that are forever snapping at their heels?
Monster by
Broken on the wheel and left for dead, he awakens on a lab table, transformed into an abomination. Friedrich must go far to take his revenge --only to find his tormentor, Victor Frankenstein, in league with the Marquis de Sade, creating something much more sinister deep in the mountains. Paranormal and gripping in the tradition of the best work of Stephen King and Justin Cronin, Monster is a gruesome parable of control and vengeance, and an ingenious tribute to one of literature's greatest
The Devouring Gray by
"Fans of The Raven Boys and Stranger Things rejoice: This is your new obsession." -- Claire Legrand, New York Times best-selling author of Furyborn After the death of her sister, seventeen-year-old Violet Saunders finds herself dragged to Four Paths, New York. Violet may be a newcomer, but she soon learns her mother isn't: They belong to one of the revered founding families of the town, where stone bells hang above every doorway and danger lurks in the depths of the woods. Justin Hawthorne's bloodline has protected Four Paths for generations from the Gray -- a lifeless dimension that imprisons a brutal monster. After Justin fails to inherit his family's powers, his mother is determined to keep this humiliation a secret. But Justin can't let go of the future he was promised and the town he swore to protect. Ever since Harper Carlisle lost her hand to an accident that left her stranded in the Gray for days, she has vowed revenge on the person who abandoned her: Justin Hawthorne. There are ripples of dissent in Four Paths, and Harper seizes an opportunity to take down the Hawthornes and change her destiny -- to what extent, even she doesn't yet know. The Gray is growing stronger every day, and its victims are piling up. When Violet accidentally unleashes the monster, all three must band together with the other Founders to unearth the dark truths behind their families' abilities . . . before the Gray devours them all.
Fantastic Beasts and Where to Find Them by
An essential companion to the Harry Potter novels, now fully illustrated! Fantastic Beasts and Where to Find Them, Newt Scamander's classic compendium of magical creatures, has delighted generations of wizarding readers. With this beautiful, large-scale new edition illustrated in full color, Muggles too will have the chance to discover where the Runespoor lives, what the Puffskein eats, and why shiny objects should always be kept away from the Niffler. Proceeds from the sale of this book will go to Comic Relief and J.K. Rowling's international charity, Lumos, which will do magic beyond the powers of any wizard. If you feel that this is insufficient reason to part with your money, one can only hope that passing wizards feel more charitable if they see you being attacked by a Manticore.
Einstein's Monsters by
"Black holes are the most extreme objects in the universe, yet every galaxy harbors a black hole at its center. In Einstein's Monsters, distinguished astronomer Chris Impey builds on this profound discovery to explore questions at the cutting edge of cosmology: Which came first, the galaxy or its central black hole? What happens if you travel into a black hole?Impey chronicles the role black holes have played in theoretical physics--from confirming Einstein's equations for general relativity to testing string theory. He then describes the phenomena that scientists have witnessed while observing black holes: dozens of stars swarming like bees around the dark object at the center of our galaxy; black holes performing gravitational waltzes with normal stars; the cymbal clash of two black holes colliding, releasing ripples in spacetime. Einstein's Monsters is the incredible story of one of the most enigmatic entities in nature."
Artful Assassins by
Violence as a way of life, and murder as a political tool. This philosophy is nothing new to Mexico, most recently demonstrated in the wave of assassination and indiscriminate killing brought on by the drug war gripping the country. In Artful Assassins, author and scholar Fernando Fabio Sanchez unveils the long record of violence inspiring artistic expression in Mexico, focusing on its use and portrayal in film and literature. Sanchez is uniquely positioned to explore this topic, through his work as a novelist and poet in Mexico before entering academia in the United States. Sanchez argues that the seemingly hopeless cycle of violence experienced by Mexico in the 20th century, as reflected in its "crime genre," reveals a broader intrinsic cultural and political failure that suggests grave implications for the current state of crisis. Tracing the development of a national Mexican identity from the 1910 Mexican Revolution onward, Sanchez focuses on the indelible presence of violence and crime underlying the major works that contributed to a larger communal narrative. Artful Assassins ultimately offers a panoramic overview of the evolution of Mexican arts and letters, as well as nationalism, by claiming murder and assassination as literary and cinematic motifs. The collapse of post-revolutionary political unity was presaged all along in Mexican culture, Sanchez argues. It need only to have been sought in the art of the nation.
Neo-Victorian Gothic by
This volume, the third in Rodopi's Neo-Victorian Series, reassesses neo-Victorianism as a quintessentially Gothic movement. Through their revival of bygone spectres, their obsession with forgotten skeletons in the cupboard, and their exploration of nineteenth-century extremities, neo-Victorian works not only reflect our contemporary Gothic culture but also reactivate it and even enrich it with new variations such as postcolonial, eco or steampunk Gothic. Addressed to scholars and students of both Gothic and Neo-Victorian Studies, this volume will also interest contemporary literature specialists, cultural theorists, and those working on popular historical memory, as it explores the paradox of culture's coincident turn to ethics and sensationalism. As exemplified in its generic variety and hybridity, neo-Victorian Gothic resorts to the spectacularisation of horror while simultaneously demonstrating the hyperreal, textual and self-reflexive nature of these spectacles, just as it resorts to the exploitation of hyperbolic and violent sexuality at the same time as challenging sexual norms and identity politics. In spite of these apparent contradictions, the Gothic forms of neo-Victorianism demonstrate their fundamentally ethical goal of interrogating the uncertain limits between self and other, orthodoxy and heterodoxy, past and present.
Destroy All Monsters, and Other Stories by
Winner of the Prairie Schooner Book Prize in Fiction, Greg Hrbek's Destroy All Monsters, and Other Stories is a collection that explores what it means to be human--and inhuman. These ten stories have won an array of honors--and whether set in the historical past or in a speculative future, each is wildly imaginative and shockingly real. In "Sagittarius," selected for The Best American Short Stories, a mother and father search a dark forest for their missing newborn, who is either a child with profound birth defects or a miraculous creature. In "False Positive," a ghostly girl visits her biological father ten years after being aborted in utero. In "Bereavement," a marriage is falling apart following a child's accidental death, but a combination of myth and technology provides hope for a second life. Fantastic, horrific, painfully familiar, these stories are the work of a consummate storyteller.
Traditional Monster Imagery in Manga, Anime and Japanese Cinema by
Traditional Monster Imagery in Manga, Anime and Japanese Cinema builds on the earlier volume Anime and its Roots in Early Japanese Monster Art, that aimed to position contemporary Japanese animation within a wider art historical context by tracing the development of monster representations in Edo- and Meiji-period art works and post-war visual media. While the previous volume concentrated on modern media representations, this work focuses on how Western art historical concepts and methodology might be adapted when considering non-Western works, introducing traditional monster art in more detail, while also maintaining its links to post-war animation, sequential art and Japanese cinema. The book aims at a general readership interested in Japanese art and media as well as graduate students who might be searching for a research model within the fields of Animation Studies, Media Studies or Visual Communication Design.
The Monster Always Returns by
The monsters of the horror genre never remain dead - they invariably return in new and terrifying shapes for another installment. In this study Christian Knöppler explores the phenomenon of horror film remakes. He argues that even though these derivative films typically earn little praise from critics, their constant refiguration of monsters and horror scenarios serves to access and update otherwise obscure cultural fears. With an in-depth examination of six sample sequences of films and remakes, this book aims to shed new light on a much maligned and often neglected type of film and promises fresh insights to scholars and aficionados alike.
The Monstrous Middle Ages by
The figure of the monster in medieval culture functions as a vehicle for a range of intellectual and spiritual inquiries, from questions of language and representation to issues of moral, theological and cultural value. Monsters embody cultural tensions that go far beyond the idea of the monster as simply an unintelligible and abject other. This text looks at both the representation of literal monsters and the consumption and exploitation of monstrous metaphors in a wide variety of high and late-medieval cultural productions, from travel writing and mystical texts, to sermons, manuscript illuminations and maps. Individual essays explore the ways in which monstrosity shaped the construction of gendered and racial identities, religious symbolism and social prejudice in the Middle Ages. Reading the Middle Ages through its monsters provides an opportunity to view medieval culture from fresh perspectives. It should be of interest in the concept of monstrosity and its significance for medieval cultural production.
Heroes, Monsters and Values by
This exciting new anthology brings together many diverse views on blockbuster and cult science fiction films of the 1970s. These essays, which range in focus from Alien to Zardoz, explore some of the most fundamental questions about the meaning of being human. The chapters of the first section challenge our notions of heroism, confronting our ideas Other issues of history, gender and embodiment. The second sectionOCOs contributions delve into the human caused monstrosities of our own ingenuity a..."
The nature of the beast : transformations of the werewolf from the 1970s to the twenty-first century by
The werewolf in popular fiction has begun to change rapidly. Literary critics have observed this development and its impact on the werewolf in fiction, with theorists arguing that the modern werewolf offers new possibilities about how we view identity and the self. Although this monograph is preoccupied with the same concerns, it represents a departure from other critical works by analysing the werewolf's subjectivity/identity as a work-in-progress, where the fixed and final form is yet to be arrived at – and may never be fully accomplished. Using the critical theories of Deleuze and Guattari and their concepts of ‘multiplicities'and ‘becoming', this work argues that the werewolf is in a state of constant evolution as it develops new modes of being in popular fiction. Following on from this examination of lycanthropic subjectivity, the book goes on to examine the significant developments that have resulted from the advent of the werewolf as subject, few of which have received any sustained critical attention to date.
Anime and Its Roots in Early Japanese Monster Art by
Japanese anime plays a major role in modern popular visual culture and aesthetics, yet this is the first study which sets out to put today's anime in historical context by tracking the visual links between Edo- and Meiji- period painters and the post-war period animation and manga series 'Gegegeno Kitaro' by Mizuki Shigeru.
Frankenstein by
Frankenstein or The Modern Prometheus, was completed by Mary Shelley at the age of 19. She infused this original novel with Gothic and Romantic elements. Scientist Victor Frankenstein creates a large and powerful creature in the likeness of man, but is disgusted by his own creation and he abandons the being to fend for itself. Spawning generations of horror stories in the genre, Frankenstein is a gruesome warning against playing God and attempting the engineering of life.
No mistaking that we are not alone.
